



The husband-and-wife team of Charles and Ray Eames are widely regarded as America’s most important designers. Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind-bending variety of other products, from splints for wounded military during World War II, to photography, interiors, multi-media exhibits, graphics, games, films and toys. But their personal lives and influence on significant events in American life – from the development of modernism, to the rise of the computer age – has been less widely understood. Narrated by James Franco, Eames: The Architect and the Painter is the first film dedicated to these creative geniuses and their work.
The Lomography Gallery Store LA is hosting a world premiere event, where we will take you back a few decades to the glory of old Hollywood! Walk the red carpet where LomoRazzi take your shot! Come inside to enjoy some ritzy refreshments. Take a seat as we unveil the newest star of Lomography.
Come in your red-carpet attire, bring a friend, and join us in an all-analogue celebration of Hollywood nights. Every Lomographer is invited to this special feature. Hot and buttery popcorn will be made fresh all night! Tables will be lined with gummies, chocolate covered raisins, and other movie-theater treats! Soda Pop, cocktails, and other refreshments will be plentiful. So mark your calenders and don’t miss out on the biggest Hollywood night of the year!
Portrait Studio consists of portraits of Armenian photographers from Los Angeles (Pasadena, Glendale, Hollywood) within their studios and interior images of the spaces themselves. The photographers were photographed with their signature lighting and holding their favorite cameras against the backdrop of their choice.
This body of work aims to document the studios as sites of preservation and representations of spaces that exist in cultural and social transitions. I am drawn to the ways in which they reflect and refract the photographic medium’s ability to preserve through time. I am also interested in the photographers and their instruments as witnesses to the recent, rapid changes taking place in the practice of photography.
Open Show is a FREE monthly social mixer and screening event of compelling work by photographers, filmmakers and multimedia producers in a high-profile space.
A highly regarded painter, printmaker, and draftsman, Lyonel Feininger was the first master appointed to the newly established Bauhaus in Weimar, Germany, in 1919. Like many other figures at the innovative art school, Feininger turned to photography as a tool for visual exploration. Beginning in 1928 and for the next decade, he used the camera to explore transparency, reflection, night imagery, and the effects of light and shadow.
Model and actress Amber Valletta has graced the covers of Vogue, Harper’s Bazaar, Elle, Allure, I-D, W and Time. Her film and television career includes MTV’s House of Style, ABC's Revenge, What Lies Beneath and Hitch. She has served as the face of some of the biggest brands in fashion, as well as an ambassador for numerous social and environmental organizations. Amber is involved with the Natural Resources Defense Fund, Oceana, the International Foundation for Animal Welfare, Raise the Roof for Haiti, Friendly House and St. Jude Children’s Research Hospital.
Amanda de Cadenet is a fashion and portrait photographer, television producer and host. She is the youngest woman to shoot a Vogue magazine cover and has photographed many influential figures in popular culture. She is best known for her intimate portraits of women, in which she captures their true and unique selves. Amanda is mother to four-year-old twins and an 18-year-old daughter.
Amber and Amanda will discuss the former's personal journey through high fashion, a world obsessed with youth and beauty, and how her life experience has deepened her work as a model, collaborator and artist.
Know Me For the First Time represents the artist’s stand against the relentless march of time, and an embrace of life’s beautiful and inescapably painful unfolding. Kaur’s photographs engage the Western canon—from the Baroque to photorealist painting, from German Romanticism to contemporary portraiture. Inspired by mysticism, spirituality, and the occult, Kaur weaves visual echoes from her past to create an evocative, dreamy universe uniquely her own in both its formal qualities and narrative themes.
The interview, slideshow and question + answer session will cover topics regarding what art producers want from photographers and how art producers find and hire photographers. The interview will be geared towards answering questions regarding marketing/self promotion, where do art producers find talent, what does an art producer do on a daily basis, how have other photographers started in advertising and other questions regarding self promotion and advertising photography.
Please bring questions for Jigisha, it will be a good chance to hear honest answers from an art producer who is constantly hiring photographers for ad campaigns as well as managing other art producers.
The event is open to the public.
Format Perspective is a film by Phil Evans that explores the work, lives and opinions of six European skate photographers. The film showcases the photography of Nils Svensson (Malmo), Stu Robinson (Belfast), Alex Irvine (London), Rich Gilligan (Dublin), Sergej Vutuc (Heilbronn) and Bertrand Trichet (Barcelona/Tokyo), while also giving us an insight into the different approaches used by this diverse line-up of photographers. Filmed completely on super 8 film, this project gives a behind-the-scenes look at the skating that these guys like to shoot, as well as the resulting photos that emerge from these sessions.
For this exhibition, the artist will show recent portraits done in Wet Plate Collodion. Using chemicals such as silver nitrate and ether this process includes coating, sensitizing and developing a sheet of metal in a period of fifteen minutes. Each image is hauntingly beautiful and expresses a desire to transcend time and technology.
“I am inspired by the character of Billy Pilgrim in Kurt Vonnegut's Novel Slaugtherhouse-Five who begins the story with the words: ‘I have become unstuck in time’.”
In my late 20s, I sensed a turning point coming. My photo assisting days were over, my photography career was in full swing, and my aspirations as an artist and commercial photographer were in the forefront of my mind. I found myself swept-up in the irreverent parties and carefree feasts typical of my mid-20s less and less. I was becoming more confident in my photography, more aware of my place in the context of other artists, historical and contemporary. And I marveled at the success of my close friends. Around me my peers were making strides in their careers, becoming prolific in their artwork, finding partners, buying homes, and some even having children of their own. All of us were finding our voices, becoming comfortable in our own skins, growing into adults.
Duncan Miller Gallery announces its upcoming exhibition of Marilyn Monroe photographs from October 21 - November 26, 2011. On display are the poignant and beautiful photographs of Marilyn Monroe taken while making the movie “Something’s Got to Give” in 1962. This was her last professional photo session.
The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came out of the water au natural. She was radiantly smiling and in her element: the sexual goddess, posing for eternity. Two months after celebrating her birthday on this film set, Marilyn died.
These legendary images that survived (Marilyn would cut up the negatives she didn't like) have been displayed in New York, China, Bulgaria, Salzburg, Berlin, Miami and London. The large scale (48" x 60") photographs are now available in Los Angeles.
Although later becoming a New York Times best-selling author and director of fifteen films, Brooklyn-born Lawrence Schiller started his career as a photojournalist for Life, The Sunday Times, Time, Newsweek and The Saturday Evening Post.
Additional photographs of Marilyn by selected photographers will also be on display.
"I think that, because I know what it feels like to be in front of the camera, I can be more sympathetic to my subjects. Being in front of the lens, you are very vulnerable. It's not a nice feeling, and I don't miss it. But it's very helpful to know exactly what it's like. When I was a model I hated when I wasn't allowed to move, so I love movement and I encourage my subjects to play around, to move and to be silly."
Elaine D’Farley is the Beauty Director for SELF magazine, where she directs, researches and analyzes industry trends and creates editorial beauty content on multiple platforms. D’Farley spent many years as a fashion editor and stylist and throughout her career attended the fashion shows in Milan, Paris and New York while creating covers, fashion and beauty editorial pages for various magazines.
Philip Gefter writes about photography for The Daily Beast. He previously wrote about the subject for The New York Times. His book of essays, Photography After Frank, was published by Aperture. He produced the feature-length documentary Bill Cunningham New York and is at work on a biography of Sam Wagstaff. He is currently a Guest Scholar at the Getty Museum.
D'Farley will discuss the editorial decision-making process behind contemporary images of beauty and the dichotomy between what is real vs. inspirational or fake. Gefter will chart ideals of beauty as they have changed in fashion photography over the last century.