
We were surprised and delighted to get a box of goodies from Susina Bakery thanks to Giuliano Bekor and LightBox Studios !
Working in a downtown Los Angeles courthouse, I have encountered low-income people at the mercy of system-driven attorneys; unattended brown and black babies crawling on marble floors; prowling sheriff deputies flirting with teenage girls. I once saw a short man read the palm of a tall and attractive woman outside of a death penalty proceeding.
These and other scenes are simultaneously beautiful and nightmarish, emotional and cold. These are the human dramas that are occurring in the courthouse everyday. I see these scenes because I am a public administrator in the Los Angeles Superior Court. But I am also photographer.
My position in the Los Angeles County Courts grants me access to the people and environments that constitute our nation’s system of justice (and injustice). Since cameras are prohibited in the public spaces of the courthouse, I make my photographs after normal working hours. Inside the courthouse I pose people as litigants, attorneys, judges and other characters to create tableaus, which reveal to the viewer emotional truths which might go unnoticed if not emphasized by the boundaries of a photograph.
->Aura Boutique on 1528 Montana will have prints from the Peter Fetterman Gallery
-> Engels & Volker real estate at 1123 Montana has photography up from Ana Gibert, George Deloache, Angel Burns, Astor Morgan.
-> Drkrm/gallery/west on 729 Montana currently has Ryan Herz "The Children of Edgewood" on exhibition.
-> Leona Edmiston on 1007 Montana has Laura Killian - Treated photographs
-> Semi-Precious on 1023A Montana has underwater photography of Gisele Lubsen
“The camera is an excuse to share the life of the people, the rhythm and simplicity of festivities, to discover my country. While using my camera I am, above all, an actress participating in the scene taking place at the moment, and the other actors know what role I play. I never think of my images as a project, I simply live the situations and photograph them; it is afterwards that I discover the images.” --Graciela Iturbide
This is an exploratory portfolio review focused mostly on photography. The idea is to find new talent in the West Coast for a bi coastal portraiture show opening simultaneously in NYC and Los Angeles January 2011. The show will be called EAST MEETS WEST.
The fee for the portfolio review is $75.00 and will guarantee time with both Elizabeth and Ruben.We will consider work shown for the portraiture show if applicable. This a great opportunity to have your work to be seen by two highly experienced NYC gallerists.
LA is my home away from home.
LA can be anything you want it to be. Precisely because LA is so sprawling makes it natural for clusters of communities and groups to organize and occur. From the Valley to Santa Monica and everywhere in between, there are thriving art scenes. People say that the geography divides us but I think it's created this dynamic place of subcultures and communities where one can easily navigate within, or get to. That's the undercurrent I get...you have to be pretty organized and determined here; there's not much whimsy.
LA is large enough that local communities now have their own artwalks, from North East LA (NELA), Downtown, Miracle Mile, Venice, Culver City, LIttle Tokyo. People have a tendency to organize around geography and local communities that serve the needs of those areas. With the recession, we're seeing more pop ups shops, and group collaborations that occupy retail spaces and share/absorb the expenses in order to promote art.
I LOVE LA is about the artists who chose LA, who create in LA and who help to inspire Los Angelenos and the world. These artists belong to their own respective communities. In bringing them together under Edition One Hundred, they get to belong to another community, or the first "class" of Edition One Hundred artists, if you will.
I selected artists that have inspired me, or inspired hundreds of individuals here in Los Angeles; artists that are total unknowns but are super-prolific; and artists whose fame has secured them legions of fans. The artists all have different end products, some will chose the digital path, and some will remain in the traditional photo printing technology. Some will chose to use serigraphs as their prints, and other digital reproductions, so it's about what feels right to the artist themselves.
I am a lover of the arts, especially photography. For me, collecting is a luxury that I most often cannot afford. I, alongside many of my friends, follow many artists and hope to be able to afford their pieces in the future that are sold through galleries, but in the meantime, there is this great possibility where new technology can create a new space for selling art more affordably. Every artist that I am inviting is an artist that I'd love to support and also to collect. It's that simple. - Cat Jimenez, founder
"I started photographing in my style in '78, '79, and I worked for magazines that allowed more creative freedom in those days. My commercial rep kept saying "I can't get any work, this is just too artistic!"