

Don't ask. :)
His engaging and emotionally moving photographic images featured theatrical gestures, poses, and expressions combined with an attention to mise-en-scène. The dramatic elements in this work link his fashion photography to his interest in stage and cinema in New York and Hollywood. These photographs capture his enthusiasm for people engaged in roles that mesmerized and fascinated him, and they tell us as much about the relationship between performance and the body as they do about the people in them.
A special guest lecture and discussion in graphic design history on the influence of Peter Saville and Factory Records on postmodern design, along with an examination of the music and ideas that made this design phenomenon possible. The focus will lurch from Situationism in France in the late 1960s, protopunk and punk rock in the '70s, to the post-punk and new wave era of Joy Division, The Durutti Column, Cabaret Voltaire, New Order, and Happy Mondays.
My mother always took great care in putting herself together, even when sightseeing on a hot summer day. My parents attended a dinner on this trip and I remember her dressing in a beautiful emerald green cocktail dress with long silk gloves. Years later, my mother would still talk about this dinner party. But it was not about the exotic, delicious food that was served, or the beautiful home the party took place in. What my mother remarked on was the fact that all the wives on guest list, with the exception of herself, worked—one in politics, one in medicine, and another, a professor.
My mother never realized her dream of having a career, and I often wondered if my father somehow stood in her way. But, as much as it made it easier to think that was true, there is too much evidence to the contrary. For instance, the next time my parents traveled to our nation’s capital —a business trip for my father and one of the last trips my mother and father would take as a married couple. They returned with a gift which my father had picked out himself, and found great joy in giving to me. It was a pink t-shirt with gleaming gold letters that read: “A Woman’s Place is in the House. And in the Senate.”
I wonder if it was my mother who somehow got in the way of herself. - kkisthnewblack
Photographer and artist Cindy Sherman uses her self-portraits to highlight stereotypes of women that exist in film and magazines. In an extended interview, she talks about her artistic inspiration, the evolution of her photographic style, and what her photography is meant to accomplish.
For me, the most important thing I learned was just honing my eye. I think I had a good eye. I'd go down to the end of my street, to a garage that had a certain feeling about it, or a particular light; I'd take a picture of a friend who needed a head shot. That's how I learned, instead of having school assignments and learning camera techniques. I think a lot of the time these days people are so concerned about having the right camera and the right film and the right lenses and all the special effects that go along with it, even the computer, that they're missing the key element. That element is developing a style that's yours and experimenting with it in until you eventually discover what makes sense to you especially.
I never set out to become anything in particular, only to live creatively and push the scope of my experience for adventure and for passion… The raw brutal cold coastlands for the right waveriders to challenge – this is where my heart beats hardest…
Most folk don’t even know who we are, and what we do or how we do it, let alone what they pay us for it. I never want to take this for granted so I try to keep motivation simple, real, and positive… If I only scrape a living, at least it’s a living where I’m scraping…. If there’s no future in it, this is a present worth remembering.- Mickey Smith
"Mannequins can be headless or missing a limb, but we humans are undiscouraged by these limitations. At times, we walk past these working stiffs without a second glance–their presence is so familiar that we don't question their odd existence. But sometimes a mannequin's outstretched hand, its fingertips seemingly reaching for some kind of connection, give us pause. We search for signs of humanity behind their blank-vessel expressions." - Anne Fishbein
"Throughout history there was always a resistance to change. Many contemporary photographers believe that shooting film is the only true photographic medium. I do not believe there is a universal truth. Does a negative reveal more quality than a transparency? Are the inter-negatives for platinum prints less true or valid than the original negetive? All these questions bring to mind, that throughout art history classic protocol was considered more important than the impact of final image? It is my belief when a photographer makes a decision to release the shutter, the resulting image is only the truth of that specific photographer. Who is the arbiter of what is true or valid? Most of the great artists were rejected when they did not follow the accepted protocol of their time: Van Gogh, Gauguin, Picasso; I could go on and on."
+Have you ever wondered why Andreas Gursky’s images of the Prada Store are considered fine art and sell for tens of thousands of dollars while your images are considered commercial photographs?
+The world of fine art photography is transforming as rapidly as the commercial marketplace. Take advantage of this time of change to develop multiple revenue streams to support your business while at the same time keeping your vision fresh and alive.
+Creating and properly marketing a body of fine art work can be instrumental in achieving these goals.
+ What is a fine art photograph?
+ Where do you market your fine art work?
+ How do you reach that market, present your work, and create marketing materials and a Web site?
Thomas Werner, international commercial and fine art photographer, will share his experiences about these topics and much more. He will explain how to build a relationship with a gallery and what happens when you get an exhibition. He will also help you identify realistic goals in the fine art world and how to maximize results based on those expectations.
If you've ever been interested in understanding the world of fine art photography, or if you're interested in opening new avenues for your work, this is an event that you can't afford to miss.
....I like the idea of not being bound to calling my self a photographer. That is just the media I have chosen to work in. I work in photography-based material, but I also work in meat, foam, wood and dove, etc. My concentration in "Wrong" has been more about creating my ultimate hopes of experience. I realized with the first Wrong pictures that I created the satisfaction in seeing something I didn't understand and is removed from the normal. They are "manipulated" to create new narratives in the picture. So telling the obvious stories don’t challenge the mind in my opinion. I'm constantly on the look for the ambiguous in conversation or things I see doing my walk around the city... I guess it’s really about my strong need for entertaining myself and maybe reality is enough for me.- Asger Carlsen
This exhibition will include approximately two hundred photographs, the artist's little-known video work Stranded in Canton, his early black-and-white photographs of the sixties, and the vivid dye-transfer work of the early seventies, as seen in the Museum of Modern Art's landmark catalogue of 1976, William Eggleston's Guide.