


Rebecca Gaal - Journey “Images of Humanity – The Common Thread Which Unites us All”
Opening reception April 30, 2010 6-9 pm
Julia Dean Gallery
801 Ocean Front Walk, Studio #4
Venice, CA 90296
In 1987, I lost a very close friend and mentor to AIDS. Wanting to do something to memorialize him, two of my friends and I started Focus On AIDS (FOA), a photography auction/benefit. We called upon photographers and a few galleries to donate images to be auctioned and gave all the money raised ($50,000) to an AIDS charity. It was a time when no one was doing anything about the disease or using photography as a collectible art form. - Susan Barez
"A face holds the key to the universes that intersect behind the eyes. The wrinkles, the eyes, the hints of hidden scars revealed in a portrait enable us to sense the soul, the character, the acceptances and the denials of the person as no other medium can. The snapshot smile conceals. The thoughtful portrait reveals and stirs. The faces of our aging survivors are uniquely those of...survivors. Portraiture enables the viewer to partly grasp, even as it immortalizes, a story that should never be forgotten." - Eli Rubel
Timeless: The Composer/Arranger Series is the name of a concert series that was created in homage to the composer/arrangers who have influenced hip-hop in the most literal and profound ways. Timeless was conceived by production house Mochilla in Los Angeles during February and March 2009 and included the performances of over 150 musicians in front of ecstatic sold out crowds. These three historic events were recorded and filmed in exacting detail with Mochilla's unmistakable style.
In Los Angeles, driving is a daily prayer, a morning renewal. Twice a day it is the space between home and work. For some, driving can be Zen, a time of control, solitude and power, a meditative state that can only be achieved behind the wheel. For others, driving is a time filled with anger, anxiety, fear and loathing to be avoided at all costs. The freeways, structures designed and built like rivers of concrete, have become Los Angeles’ grand monuments.
This series deconstructs the omnipresent Los Angeles freeway system into its component parts, the built environment and the drivers that inhabit it. This work finds solitary drivers in unguarded moments as they speed toward an unknown destination. The color photographs are meant to feel similar to images of surveillance, voyeuristic moments with information that leads in many directions. Are these drivers experiencing transcendent moments or does the drive simply numb the senses, their blankness representing boredom. The idea of car as a second home, a place of privacy and comfort breaks down as we enter the occupant’s space.
Many, if not most of these Angelenos have their origins in other parts of the world. They hail from far and wide - from Europe and Asia, from the Middle East, Africa and India, from Central and South America, from Mexico and beyond - and they have carried with them to this city the memories and customs of their home and the collective wisdom of their native cultures. Beginning in 2006, I set out to meet and document the lives of some of these oldest resident, who have emigrated here and are over 8o years of age. The result is a remarkable series of over-sized B&W portraits that testifies not only to the beauty and dignity of age but to the vibrant mix of ethnic, cultural and religious traditions that make Los Angeles a truly global metropolis.
It feels a little bit suicidal. To keep from being consumed by fear, I make eye contact with every face coming into view. I look at every shadow and say “Bonjour.” No one says hello back. I’m carrying two large cameras. I’m conspicuous. Even though we’re enveloped in blackness, I snap portraits. I look at them, they look at me. No words are spoken. There’s a menacing vibration in the air. I walk by bonfires through an awful decaying landscape. I look at them, they look at me. Over the course of the evening, this happens a hundred times. They are ghosts, and I pass through a nightmarish, spectral landscape undisturbed, because I am an apparition to them as well.
In the summer of 2009, Opie traveled aboard a container ship en route from Korea to Long Beach. She documented the voyage in a series of time-based photographs that captured each sunrise and sunset for the ten-day duration of the trip. The works are composed with equal registers of water and sky, broken by a thin center horizon line.
Joe’s Restaurant will dedicate its monthly event to the French community on Wednesday April 28, 2010 with the exhibition of Olivier Pojzman’s work. Photography, French wine and appetizers will be served.
Joe’s restaurant “Fine Californian-French cuisine” in Venice Beach is proud to present the work of local Artist Olivier Pojzman.
Once a month, a very friendly event is held where wine and great appetizers are offered. Please come and enjoy Art, good wine and great company at the next September event. This next event will be held for the French community of Los Angeles.
For this special occasion, fresh oysters from Christophe “Maitre ecailler” will be on the restaurant’s menu during the event.